CHANEL’S NEW BOND STREET BOUTIQUE REOPENS

Chanel has reopened its Fine Jewellery and Watch boutique on London’s New Bond Street.  The store suffered an extensive renovation and was expanded from a single one to a three-floor luxury emporium.

Marilyn Monroe makes a posthumous comeback with Chanel No.5

CHANEL No 5 IN A 30 OUNCE BOTTLE

 The most famous women’s fragrance ever made, the Chanel No.5, is now available, joy of joys, in a 30-ounce bottle priced at 3.200 Euro ($4,200).

Chanel Resort Collection For 2014

Coming straight from the Singapore Chanel resort collection for 2014 illuminated our faces with eternal elegance. Familiar by the high-fashion appearance and a doze of Karl's latest inspiration that he found in Singapore, this resort collection deliver to the Chanel's demanding worshipers extensive, compelling, modern, classy and absolutely luxury attire.

Chanel « Première Tourbillon Volant »

Chanel « Première Tourbillon Volant »

La maison de luxe française Chanel présente la montre « Première Tourbillon Volant » pendant le salon Baselworld.

Imaginé en collaboration avec les maîtres-horlogers suisses de Renaud & Papi, ce modèle doté de hautes complications mécaniques a été conçu à l’occasion du 25e anniversaire de la première création horlogère de Chanel

Pour célébrer ce quart de siècle, la montre « Première Tourbillon Volant » s’habille d’un tourbillon – le dispositif qui permet d’améliorer la précision du garde-temps – stylisé en camélia, la fleur favorite de mademoiselle Chanel.

Accomplissant une rotation par minute, le Tourbillon Volant affiche un coeur pavé de diamants. La montre dispose également d’un mouvement mécanique à remontage manuel calibre « Tourbillon Volant Camélia », imaginé par Renaud & Papi en exclusivité pour Chanel.

Edité à seulement vingt exemplaires numérotés, ce modèle est pourvu d’une lunette en or blanc 18 carats.

Au total, la montre « Première Tourbillon Volant » est sertie de 101 diamants taille baguette et de 127 diamants taille brillant.

Etanche à 30 mètre, ce garde-temps dispose d’une réserve de marche de quarante heures, et d’un cadran en céramique noire polie. Le modèle est proposé avec un bracelet en alligator, noir ou satin noir.

Le prix de cette montre est fixé à 220.000 Euros.

31, Rue Cambon

31 RUE CAMBON
THE STORY BEHIND THE FACADE

Dating back to the 18th century, rue Cambon was named after a famous French revolutionary elected to the National Convention, whose father was a fabric manufacturer.
The streets in this part of Paris were built after the French Revolution. In order to make way for them, the buildings of the Couvent de la Conception convent were demolished, leaving only the Notre Dame de l’Assomption church, which still stands to this day. The edifices erected subsequently were influenced by classicism, an architectural style characterized by purity of line, rigorous proportions, symmetry and horizontal divisions. They present smooth façades and a unified sense of volume.
In 1910, Gabrielle Chanel opened her hat shop, “Chanel Modes”, at Number 21 rue Cambon, in the center of Paris, only a stone’s throw from Place Vendôme and rue Faubourg Saint-Honoré, in the heart of a very fashionable part of town.
19th century writers such as Stendhal and Chateaubriand occasionally dwelled on rue Cambon, where Chanel would brush shoulders with renowned caricaturist George Goursat, also known as “SEM”. He created the first artistic rendering of perfume N°5.
As she quickly gained recognition for her talents as a hat-maker, Gabrielle decided that she needed larger premises. In 1918, she acquired the entire building at Number 31. It was here that she invented the concept of the modern boutique: in 1921, she began displaying fashion accessories and her first perfume (N°5) to wear with her garments and hats. Later, she added jewelry and beauty products.
Gabrielle Chanel claimed rue Cambon as her territory and arranged her 18th century building to suit her needs. The boutique occupied the ground floor, while the large reception room on the first floor was used to present her collections and hold fittings for Haute Couture dresses and suits. A stairway lined with mirrors led to her second-floor apartment, which was an intimately private realm filled with treasures. The third floor housed the studio, where Karl Lagerfeld works today, together with light-flooded workshops nestled below the rooftops. All of her activities, which included workshops for making jewelry, hats and sportswear, were united in this building, whose configuration has remained unchanged.
During the 1920s, Chanel expanded up the street and by 1927 she occupied five buildings on rue Cambon (Numbers 23 to 31).

Chanel Surf - Place Vendôme

Boutique Chanel - 18,Place Vendôme

Chanel Surfboards

 The most expensive thing I bought recently was a $5000/Euro3865 Chanel surfboard. I'm using it as decor in my bedroom until I get really good at.

Coco Chanel

Women’s wardrobes would be oh-so-cumbersome, not to mention boring, without the contributions of the great Parisian designer Gabrielle “Coco” Chanel.
Chanel gave us the little black dress, gaudy layers of pearls, and the fitted tweed suit. Most important, she popularized predecessor Paul Poiret’s early-1900s frocks that featured straighter silhouettes and shorter hemlines. These boyish pieces ultimately helped women do away with the corset.


That’s common fashionista knowledge.

But there’s much more that hasn’t been common knowledge about the bobbed, early-20th-century businesswoman, and it should make for a book chock-full of scandals and affairs. Hence, British author Lisa Chaney’s 400-plus-page tome, Coco Chanel: An Intimate Life.
In the book, Chaney pieces together lost letters and records, which the designer spent most of her life trying to hide, that retell her maudlin story and give substance to a lot of rumors about Chanel. But, while the story is juicy chick lit, the book is not. What this fact-heavy prose lacks is spice.
It takes a while, but we get Chaney’s point: Chanel was a style innovator, but it wasn’t a love of clothing that made this woman tick. It was fear. Fear that she’d lose control or, worse, the independence she so fiercely fought for.
Chanel was born in 1883, the illegitimate child of an unemployed French playboy and a severely depressed mother, and lost her parents when she was 12. She grew up in an orphanage run by nuns. You can imagine how restricted her fashion choices were.
Chanel’s life wasn’t easy, and at times, it was downright degrading. She spent her young adult life as a courtesan, an upscale prostitute. She entered high society as one of two mistresses of her first financial backer, socialite and horseman Etienne Balsan, whom she eventually left for an even richer Englishman, Arthur “Boy” Capel, after cheating on Balsan with Capel.
These stories are more scandalous than those on Real Housewives.
The forbidden liaisons helped Chanel establish herself early on as a high-society rule-breaker. Her transition from milliner – her first business was a hat shop – to designer helped her express revolutionary thoughts when it came to women.
Chanel was among the first upper-class women to ride horses for recreation and to play sports like polo, so her menswear-inspired clothing – featuring pockets and baggy fits – was as much a necessity as a fashion statement.
Chaney opens the book with Chanel walking through the Tuileries with Capel. She informs Capel, who is bankrolling her business, that she doesn’t need his help anymore. His response: “I thought I was giving you a plaything. What I gave you was your freedom.”
Soon after, Capel would leave her.
That was just one of Chanel’s numerous affairs followed by a debilitating broken heart. Men would cheat on their wives with her, then leave both her and the wife to marry somebody else. Subsequent dalliances included affairs with composer Igor Stravinsky, artist Pablo Picasso, and a German soldier during the Nazi occupation of France. Chaney raises the possibility of lesbian affairs, too.
Even with her astuteness, Chanel made some bad business decisions and was swindled out of the bulk of her profit from her iconic scent, Chanel No. 5. Despite her grand staircases and travels around the world with the most revered artists, she never managed to find happiness.
By the book’s end, Chanel has become a lonely and bitter woman who spends much of her time bashing fashion, especially the miniskirt. She said she found the mini vulgar and inappropriate, seemingly forgetting how she herself had popularized a shorter hemline in the early 20th century that freed women from Victorian prudery.
Through two World Wars, Chanel survived it all. That’s because, as Chaney puts it so well, Chanel owned the zeitgeist.
“The reason she is so often credited with initiating something, such as chopping off her hair or introducing short skirts, is because she had become the quintessence of high fashion,” Chaney writes. “She knew just when to make the change, and what she did was noticed and emulated.”
It’s unfortunate that Chanel’s fashion genius came at such a daunting price. The designer, who died in 1971, at 88, remains even now a dominating force in women’s fashion. But her personal life was far from triumphant.